Well, I was enjoying the lovely fall colors, the warm days and crisp nights– and then that jerk Winter crept up and put an ice cube down my shirt. So, while I huddle here, fingers frozen, I thought it would be interesting to take a look at how traditional artic cultures deal with infant carrying in the freezing temperatures. There seem to be two main approaches: a soft carrier that shares body heat between child and caregiver which we’ll cover in this post; and a hard carrier that creates a micro-climate for the baby that I will cover in a future post. Continue reading
In honor of William Hogarth’s birthday, November 10th, I would like to analyze the babywearing featured in his March of the Guards to Finchley, painted in 1750. During the summer of 2017, I was fortunate to visit the Foundling Museum in London and see it in person.
It is important to note that babywearing is a very recent term associated with concepts, like attachment parenting, that was unheard of in the 18th century– I use the term here as a verb to describe “use of an infant carrier”.
Hogarth is one of my favorite artists. The level of detail, the characterization, and subject matter of his paintings and etchings keep me coming back again and again to find something new. Hogarth revolutionized the public’s consumption of art with mass-produced etchings of his painting sold on subscription. He is well known for his moralistic series of The Rake’s Progress and The Harlot’s Progress (the latter of which was made into a miniseries). His style combines realism and the satirical, the serious with the bawdy. Continue reading